The Brecon Beacons

These photos are a personal reflection on a place I was privileged to call home — or at least a guest in — for over four years. I never set out to map every remarkable corner of the Brecon Beacons, though there are many. Instead, these pages hold moments born from the rugged beauty that surrounded me.

Between 2003 and 2006, while living in the heart of the Beacons, I wandered with my camera as a child might roam a candy store — wide-eyed, restless, and eager. Each photograph is steeped in that same sense of wonder.

I chose black and white not for convention, but because it seemed to speak the language of this land. Without the distraction of colour, the shapes, shadows, and moods emerge more vividly. At the time, it was also a necessity — far from any professional lab, I developed and printed each image myself.

The work was created with a medium-format Hasselblad 503 CX, using three fixed lenses — 50mm, 80mm, and 150mm — and printed on Forte Oil Bromide paper in my farmhouse darkroom.

What follows is not a catalogue of the Beacons, but a series of impressions. I hope they carry something of the raw, untamed energy I felt in that place, and perhaps, invite you to feel it too.

Exploration into the dark realms of the brain. 

The body as an architectural landscape.

Studio portrait photography

error: These photographs are copyrighted by Ray Edgar and has invisible watermarking