Since 2005, I’ve immersed myself in the elemental dance between hand and earth, drawn to the tactile medium of clay. As a self-taught artist, I follow intuition over instruction, letting form emerge organically—guided by impulse, silence, and space. I resist repetition—not out of defiance, but because I believe the soul of a piece is born in the moment of its making. Each vessel, each sculpture, carries its own breath—singular and unreplicable.
In 2015, I began sharing my practice through teaching both beginners and advanced students at various ceramic institutions.
My work is available for purchase on this website and I always welcome inquiries, conversations, or quiet hellos at upcoming art markets.
On the Saturday 6th of september 2025, i will attend at the ‘kunsstraat’ at the Indische buurt festival, selling a wide variety of my work. My stand is located on the javastraat 151. from 12:00 to 17:00. Sign up for my newsletter to be notified.
Looking forward to see you there! More info
My latest design: a vessel with a perfectly curved profile that appears to float effortlessly. The rims are folded inward, adding a sense of movement and futurism. Made from white stoneware, the exterior is unglazed and polished smooth, while the inside features a vibrant, glossy royal blue glaze. Find it under “Orb” in my shop.
Double walled thrown pieces consist as the name suggest out of two walls instead of one. This technique is not used much in pottery because it has limited use in use-ware like cups and vases. However it has given me a new perception in designing my pieces. They are thrown in one piece on the potter’s wheel without any assembly.
A tornado sweeps through the vessel, inspiring this series. Each piece is thrown using various coloured clays. During the throwing process, a unique spiral pattern naturally emerges, resembling the swirling motion of a storm. The final result, however, only becomes visible after the piece is carefully trimmed and refined.
As a professional photographer, I sought a way to weave my passion for image-making into the visceral poetry of clay. Transfers left me cold—detached, devoid of soul. Through obsessive research and countless fragile trials, I eventually unearthed a process that resonates—an alchemy of vision and touch—that captures the essence of my creative intent.
